![]() Nevertheless, the telenovelas gave to RCN an outstanding recognition, first in Latin America and in places as distant as Vietnam and Hungary. RCN became one of the major television production companies in Colombia, producing not only telenovelas, game shows, but also sports events and news. The 1990sĪlong with Caracol TV and R.T.I. Other members included Caracol, RTI, Producciones PUNCH, Producciones JES and Datos y Mensajes. In August 1988, RCN became part of OTI Colombia, gaining the rights to broadcast the Olympic Games and the FIFA World Cup. RCN produced television series with high remembrance among viewers like Cusumbo and El Taita in 1984, which was the first Colombian telenovela filmed in exterior locations. RCN was the first company that broadcast a television program both live and in color, the 1980 Miss Colombia beauty contest since that year RCN has held the rights to broadcast this event. In 1973 RCN Radio and its subsidiary RCN Television were purchased by Carlos Ardila Lülle, who three years later relaunched RCN as a television production company (or programadora) with several spaces into the official channels' schedule. In 1967 RCN Radio took part in the bidding for spaces in the official television network, getting one hour a day which was split into two series: one made in Colombia named El Hogar (The Home) and the American television series Bewitched. Virtue contributed to this story.RCN Television was created as a television arm of the RCN Radio network. “There won’t be another soap like this one.” I watch it every night and tape it again so I can watch it again on Sundays,” said Lovette Hernandez, a short-order cook at a downtown Miami restaurant. But for many fans, the program’s end, whatever it is, will leave a void. Hence the disappointment felt by some at how their favorite show reportedly is going to turn out. Usually, the characters succeed through love. “They’re made for poor people in countries where it’s hard to get ahead in life. “Latin American soaps are all about the class struggle,” Gaitan, the series’ creator, once explained. It is a feminist plot twist as groundbreaking in its way as Nora leaving her husband in Henrik Ibsen’s play “A Doll’s House.” She’s made it through smarts and hard work because she didn’t have any feminine wiles (until lately). In past months, Betty, a financial whiz, has clawed her way to the top at the Bogota, Colombia, fashion house founded by Armando’s father. have been able to follow Betty’s story on Telemundo stations and affiliates, including KVEA in Glendale. “It cannot end with the marriage,” Brightwell maintained in an interview. And, according to Roxanna Brightwell, a Telemundo vice president, he may in fact have written more than one final episode. The show’s creator, Fernando Gaitan, is famously whimsical. “It’s unbelievable and the ending is predictable, but it’s enjoyable.”Ī word of caution about the outcome of all this is definitely in order. “It’s a show about society, about how the upper class looks down on the lower class,” said Lillian Canizales, a Puerto Rican-born accountant who lives in South Florida. ![]() If Betty’s theme is altered, “it’ll revert to the bad taste of run-of-the-mill soap operas,” wrote Luis Reyes of San Diego. On Spanish-language Web sites, the debate rages, with fans from around the world jumping in. She still wears braces on her teeth, but those are likely to disappear as well. She’s stopped slicking her dark hair down onto her scalp, has lost the clunky eyeglasses, waxed off her mustache, and begun behaving less like a klutz. The trouble is, Betty, played by striking model Ana Maria Orozco, 27, has gotten decidedly less fea as the five-times-a-week series nears its conclusion. The moral of the Colombian-made show, innovative for Spanish-language soaps, was that beauty is only skin deep and that work and character are what count. A prime-time soap opera with a homely female lead, “Yo Soy Betty, La Fea,” (“I Am Betty, the Ugly”) has won more than 80 million viewers throughout the Western Hemisphere, from South America’s Tierra del Fuego to Torrance. This month, a phenomenon in Spanish-language television comes to a close. Is it true she’d be marrying the boss’ son, an abuser of women? “What can I tell my daughters now?” demanded the caller, who has held up Betty to her two girls as a role model. It’s bad enough that her chief virtue to many viewers-her ugliness-has been disappearing by the day. The fictional Betty is supposed to be a modern, independent woman who gets ahead on brains and bravery, not looks. The woman calling a Miami talk radio station last week was incensed.
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